Aerial Revolution The Musical, a recital of the students and staff from the Linda Vista aerial dance studio Aerial Revolution, opened last night, on Friday, June 9, 2017 at 7 PM.
The Napa Street performance troupe of all ages, flew with liquid grace through the air on silks, lyra hoops, ropes, hammocks, and trapeze swings. The acts combined beautiful, informed choreography and community-rich acrobatic skill performed to popular Broadway songs.
The highlight was a partner act on lyra, set to the West Side Story Prologue song, choreographed and performed by Travis Ti and Tony Dostert. Part circus and part fight, the act had every bit of physicality of the original musical. They move in a way that brings to mind performers such as Gene Kelly, along with something else that is a little more Jason Momoa. Their performance took on a more gladiatorial feel than the 1961 musical with the hoop duo hitting some great symmetrical poses around the revolving ring.
The performance done to Phantom of The Opera [title song] featured astoundingly fast rope work. An understudy stepped in for this act due to a performer whose back was injured before the show. Watching the partnered performances in this act was a fascinating study in the silent communication dancers use with each other. Timing and body placement are more vital when swinging from a horizontal hoop chandelier. These dancers looked seamlessly elegant despite the last minute substitution. Partnered dancing is not easy and this act showed that Aerial Revolution dancers can form multiple cohesive dancing partnerships.
Often in dance, it is what a dancer does to compensate when something goes wrong that makes them a true performer. At least three subtle moments in this recital suggested to me that Aerial Revolution seems able to teach this at all levels. Their aerialists are dancers and not just circus tricks.
The performance done to Wicked’s song Defying Gravity, full of emerald green, accentuated, along with other acts such as Chicago, the choreographic thought put into dynamic level changes. It is a fitting act for aerial arts with dancers “defying gravity” themselves.
Every performer seemed fluidly and effortlessly able to sling their body around the silks or ropes hanging from the ceiling, often catching themselves with but an elbow. It’s no question that aerial leaves you built.
Also, safety appeared a concern for the studio. Younger performers had thick padded safety mats to fall onto, which they luckily didn’t appear to need. Aerialists often use knots slickly tied around their feet and a sort of hammock or knot at the waist to protect them in many of their moves. The younger performers, both the little ones and teen classes, impressed all watching with their strength and devotion to a hobby that many may not find later in life.
Don’t miss your chance to catch this recital. Final shows are Saturday, June 10 at 2 PM and 7 PM. Tickets can be purchased in advance for $18 through their website
http://aerialrevolution.com/shows/ and for $23 at the door.
