Walt Whitman’s 2020

by Sarah Hughes

Walt Whitman’s Civil War Poetry and Prose ages well for all the turbulence of 2020. Here are some quotes from poems and letters to remind the modern reader what’s old is new, and allow reflection on the past year’s tensions.

Normal abruptly stops

/How you sprang – how you threw off costumes of peace with indifferent hand,/

/How your soft opera-music changed, and the drum and fife were heard in their stead,/ (1)

Image by ml991 from Pixabay. Picture of a flute set down. All rights reserved.

/The mechanics arming, (the trowel, the jack-plane, the blacksmith’s hammer, tost aside with precipitation,)/ 

/The lawyer leaving his office and arming, the judge leaving the court,/ 

/The driver deserting his wagon in the street, jumping down, throwing the reins abruptly down on the horses’ backs,/ 

/The salesman leaving the store, the boss, the book-keeper, porter, all leaving;/ (2)

/Leave not the bridegroom quiet – no happiness must he have now with his bride,/

/Nor the peaceful farmer any peace, ploughing his field or gathering his grain,/ (4)

/No bargainers’ bargain by day – no brokers or speculators – would they continue?/

/Would the talkers be talking? would the singer attempt to sing?/

/Would the lawyer rise in the court to state his case before the judge?/ (4)

Image by Peter H from Pixabay.
Picture of abandoned café or workplace. All rights reserved.

Pent up turbulence

/Forty years as a pageant, till unawares the lady of this teeming and turbulent city,/

/Sleepless amid her ships, her houses, her incalculable wealth,/ 

/With her million children around her, suddenly,/

/At dead of night, at news from the south,/

/Incens’d struck with clinch’d hand the pavement./ (1)

Year of the struggle

/Arm’d year – year of the struggle,/

/No dainty rhymes or sentimental love verses for you terrible year,/ (3)

“with all their large conflicting fluctuations of despair & hope, the shiftings, masses, & the whirl & deafening din” (80)

New fashion and pounds

/With the pomp of the inloop’d flags with the cities draped in black,/

/With the show of the States themselves as of crape-veil’d women standing,/ (28)

“I miss you all, my darlings and gossips, Fred Gray, and Bloom and Russell and everybody. I wish you would all come here in a body – that would be divine (we would drink ale, which here is the best). My health, strength, personal beauty, etc., are, I am happy to inform you, without dimunition, but on the contrary quite the reverse. I weigh full 220 pounds avoirdupois, yet still retain my usual perfect shape – a regular model.” (64)

Longing for loved ones and focusing on simple things

“Dearest son: it would be more pleasure if we could be together just in quiet, in some plain way of living, with some good employment and reasonable income, where I could have you often with me, than all the dissipations and amusements of this great city – O I hope things may work so that we can yet have each other’s society – for I cannot bear the thought of being separated from you – I know I am a great fool about such things but I tell you the truth dear son.” (75)

Image by No-longer-here from Pixabay.
Picture of a civil war letter. All rights reserved.

Meaning in turmoil

“When I found dear brother George, and found that he was alive and well, O you may imagine how trifling all my little cares and difficulties seemed – they vanished into nothing.” (60)

“there is something that takes down all artificial accomplishments” (75)

“I do not feel to fret or whimper, but in my heart and soul about our country, the forthcoming campaign with all its vicissitudes and the wounded and slain – I dare say, mother, I feel the reality more than some because I am in the midst of its saddest results so much.” (77)  

“I will write you a few lines – as a casual friend that sat by his death-bed.” (82)

Whitman writes surrounded by death, commenting on the circumstances of his world and missing loved ones, even writing some letters while sick. It’s as if life has halted for war and injuries of war.

Image by Brigitte makes custom works from your photos, thanks a lot from Pixabay.
Picture of civil war cannon in Chattanooga, TN. All rights reserved.

Of course, Whitman is writing about the Civil War, so images of agitations are more dire and tragic, even if they bear resemblance to current day.

Walt Whitman’s Civil War Poetry and Prose is available in Dover Thrift Edition via Books-A-Million and Amazon.

Clarksville museum offers social distanced Valentine’s day boxes

by Sarah Hughes

Looking for a way to support Clarksville culture and have a great Valentine’s day? Reserve your own themed date night in a box from the Custom House Museum and Cultural Center.


Photo provided by https://customshousemuseum.org/. All rights reserved.

As of 6:30 PM, Tuesday, Jan. 19, 2021, The Custom House Museum and Cultural Center is taking orders for special Valentine’s treat boxes. The boxes will be available for pick up and delivery in February.

This offering is presented by the Museum Guild as a part of an event called Valentines Delivered: Date Night in a Box. The event replaces an annual winter fundraiser, Champagne & Chocolate.

Funds raised go towards artifact conservation, collections, exhibits and educational programming. It’s a gift that helps the community, and allows for easy social distancing.

The boxes contain assorted goodies, including a few locally manufactured items. They are perfect for sharing with a date or group of four. However, sharing is not required.

Delivery and Pickup will be Feb. 8 through 12. Orders can be placed through the museum’s website. Limited quantities are available. https://customshousemuseum.org/valentines-delivered/

Honey it’s Thursday

…because honey’s sweet and we put out on Thursdays…

Review: Aerial Revolution The Musical shows a studio that defies gravity

Aerial Revolution The Musical, a recital of the students and staff from the Linda Vista aerial dance studio Aerial Revolution, opened last night, on Friday, June 9, 2017 at 7 PM.

The Napa Street performance troupe of all ages, flew with liquid grace through the air on silks, lyra hoops, ropes, hammocks, and trapeze swings. The acts combined beautiful, informed choreography and community-rich acrobatic skill performed to popular Broadway songs.

The highlight was a partner act on lyra, set to the West Side Story Prologue song, choreographed and performed by Travis Ti and Tony Dostert. Part circus and part fight, the act had every bit of physicality of the original musical. They move in a way that brings to mind performers such as Gene Kelly, along with something else that is a little more Jason Momoa. Their performance took on a more gladiatorial feel than the 1961 musical with the hoop duo hitting some great symmetrical poses around the revolving ring.

The performance done to Phantom of The Opera [title song] featured astoundingly fast rope work. An understudy stepped in for this act due to a performer whose back was injured before the show. Watching the partnered performances in this act was a fascinating study in the silent communication dancers use with each other. Timing and body placement are more vital when swinging from a horizontal hoop chandelier. These dancers looked seamlessly elegant despite the last minute substitution. Partnered dancing is not easy and this act showed that Aerial Revolution dancers can form multiple cohesive dancing partnerships.

Often in dance, it is what a dancer does to compensate when something goes wrong that makes them a true performer. At least three subtle moments in this recital suggested to me that Aerial Revolution seems able to teach this at all levels. Their aerialists are dancers and not just circus tricks.

The performance done to Wicked’s song Defying Gravity, full of emerald green, accentuated, along with other acts such as Chicago, the choreographic thought put into dynamic level changes. It is a fitting act for aerial arts with dancers “defying gravity” themselves.

Every performer seemed fluidly and effortlessly able to sling their body around the silks or ropes hanging from the ceiling, often catching themselves with but an elbow. It’s no question that aerial leaves you built.

Also, safety appeared a concern for the studio. Younger performers had thick padded safety mats to fall onto, which they luckily didn’t appear to need. Aerialists often use knots slickly tied around their feet and a sort of hammock or knot at the waist to protect them in many of their moves. The younger performers, both the little ones and teen classes, impressed all watching with their strength and devotion to a hobby that many may not find later in life.

Don’t miss your chance to catch this recital. Final shows are Saturday, June 10 at 2 PM and 7 PM. Tickets can be purchased in advance for $18 through their website
http://aerialrevolution.com/shows/ and for $23 at the door.

Inventorless Invention Beat: Netflix Choose For Me

By Sarah Hughes

Every once in awhile divine inspiration falls, but sometimes it is wildly disappointing as sometimes ideas exceed the dreamers ability to realize them.

Like da Vinci’s flying contraptions, here are some ideas that are before their time. Perhaps somewhere someone out there has the ability, talent and resources to make them a reality. Hopefully sooner than later – having some of these things like the Netflix Pick For Me Wheel would make life easier right now – mostly by enabling the ability to do nothing.

Drawing of plane wing
Leonardo da Vinci’s designs for a flying machine. Public domain from https://en.wikipedia.org/wiki/Science_and_inventions_of_Leonardo_da_Vinci#/media/File:Leonardo_Design_for_a_Flying_Machine,_c._1488.jpg

Do you also have a great idea that will never be? Put it in the ether — er — internet so maybe someone, somewhere will get inspired to make it for you and take all your credit. Though a paycheck or a dedication would be nice. Reply in the comments or send an article to publish to honeyitsthursday@gmail.com!

Netflix Choose For Me

Have you ever been sitting in front of the TV staring at Netflix trying to pick a movie getting frustrated that you have no idea what to watch? Maybe you’re trying to pick a movie with someone and you can’t decide what to watch together.

If you’re tired of debating over mindless entertainment, this invention will get you to the watching part faster, though you and Netflix will probably have to try to figure out how to get it to work.

There would be an icon that looks something like a game show wheel, which you would click and it would pick a movie for you, presumably at random with some sort of algorithm…bleh math word. All you would have to do is enter an audience rating, a number of stars other Netflix users have given it, a language preference, and/ or a genre. The genres could be based on the more specific sub genres Netflix generates, or the more basic ones like Drama or Horror. You could mix them for absolute ridiculousness. Perhaps you would be able to have it choose based on similarity to a movie you’ve watched recently. Each option could be toggled on and off.

Like the idea of a recommendation, the wheel would be customized to you, except it would pull up one movie based on some specifications. It would then either play immediately, or give you a chance to veto it, depending on what you indicate in the settings menu that’s under either “Your Account” or the Choose For Me Wheel. You would never be stuck wasting time trying to find something to watch on Netflix again.

Netflix envelope ballots
Netflix’s DVD program is holding a contest. Just answer the inside of their envelope and follow the instructions to compete for a prize and vote for your favorite DVD, or actors. Photo by Sarah Hughes. All rights reserved.

Maybe you would end up seeing more movies now that your indecisiveness is removed, hypothetically allowing you to give a well-versed opinion on Netflix’s on-going contest that allows you to vote for favorites.

Turbo Kid: Updating the end of the world

 

by Sarah Hughes

Turbo Kid (2015) presents a cheesy skater-disco patina-ed version of an apocalyptic wasteland – and it’s a delight.

Set in 1997, protagonist “the Kid” (Munro Chambers) aspires to be as tough as a hero in a leftover comic book – Turbo Man. He makes friends as he learns to be brave when scared. The film has won 8 awards and 3 nominations according to IMDb. Turbo-kid.com reports it an Official Selection at Sundance 2015.

(Spoiler alert:) All the major problems that plague the apocalyptic hero are relevant in directors François Simard, Anouk Whissell and Yoann-Karl Whissell’s world. The inhabitants in this rough landscape struggle to scavenge for sundry items, water and personal safety. There are merchant traders trying to rip people off. Aspiring overlord Zeus (Michael Ironside) forms a gang controlling the area with resources and violence. Yet the setting is a reconsidered, modern wasteland.

For a moment, it seems the Kid’s biggest challenge yet is dealing with (gasp) girls! It’s probably hard to trust someone who puts a tracking-device slap-bracelet on you, even if she does seem like she wants to be best friends. But in reimagined ’97, other themes quickly arise, such as what makes a soul, the nature of friendship, good vs. evil and fears of a robot uprising.

Girls face
Laurence Leboeuf as Apple in Turbo Kid.

Apple, played by Laurence Leboeuf, performs with quirky intensity in a role that’s part exuberant adventurer, part chaos elemental and all heart-warmingly tweaky. Her love for a gnome-stick weapon, combined with a style that seems reminiscent of Roller Baby dolls of the 1990s gives the film its particular flavor. The newly considered angle of setting might make for some interesting costume inspiration for any apocalyptic imagine-er. Right alongside this more material aesthetic is a deeper philosophical question; does it matter that the Kid’s friendship is with a robot in terms of it being less valuable and meaningful to him? Is Apple real or not? Does that matter in context of how she causes him to grow? How vigilantly is one to measure the depth and truthfulness of other’s relationships with themselves, when the feelings caused by that relationship are personal and felt alone?

The story fits together nicely, while giving its nod to other media – Apple’s name is cutely telling, as she’s a gadget herself. Zeus fits more into the mold of Chinatown’s (1974) Hollis Mulwray than Mad Max: Fury Road’s (2015) Immortan Joe. The Kid’s parents were murdered violently like many other heroes, but the comic book quest for greatness and a boy’s coming of age story serve the nostalgia angle well. Yet there is some gore and sadism.

According to whats-on-netflix.com (an “Unofficial Netflix Fansite”) and digitaltrends.com this title does not look to be leaving Netflix Streaming in March 2016, but it is worth checking out sooner rather than later.

4 out of 5 bottle-caps